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Red Red Groovy - 25

Out of print
Tracks:

The Footprint Of Memory (0:47)
View [The Universe] (5:57)
Ibiza Bar (4:07)
25 (1:20)
Come To Me, Ecstasy (5:25)
The Time Has Come [To Go Out Of Your Mind] (8:05)
Another Kind Of Find (5:22)
Euphorigin (1:10)
A Flower (7:02)
Suspicion (4:52)
The Fabric Of Space (3:45)
The Two Eternities (4:49)
Burning Like The Sun (4:34)
Divergence Of Now (0:27)
The Vision (5:01)
Is This Heaven? (6:38)
Beginnings Of Sorrow (1:31)

This is a group that had a track appear on the C-A-D Catcompliation series, before disappearing from the synthpop scene. The whole reason I picked this one up is because of the one track by them I had heard was "Come To Me, Ecstasy", which was on Catcompilation 1 in a differently mixed form, I believe. That track had intrigued me, but I had not heard anything else about the band until recently..

The opening track here is a very quiet instrumental. Most of the rest of the album is nothing like that. Imagine the B-52's with a moderate-to-heavy synthpop influence. That'll give you a good idea how the first ten of these songs sound. After track 10, the synthpop element of the music plays a much greater role in the songs, but there's also a pretty substantial trance element. Not recommemended for those who don't like to explore outside the straight lines of synthpop. But for those looking for something a bit different and willing to take a chance, you might like this one. I think the only track I could name as a favorite would be "Come To Me, Ecstacy". Even thought the version here is very different from the one I heard previously....


Added:  Saturday, March 16, 2002
Reviewer:  Jason Baker
Score:
hits: 743
Language: eng

  

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Posted by dXTC on May 24, 2002 - 08:57 PM
Your rating:

I have "View [The Universe]" on the compilation This Is Techno Vol.2. It leans toward old-school (read: pre-BT) trance with a dash of acid. That said, it's THE perfect track for testing a stereo system in a store. The bass is a REALLY low sine-wave tone, but the bassline is made of short, tight notes, not long and booming like some of those "bass" records. The vocals sit right at midrange, and the high-hat has plenty of treble. <p> The reviewer is right on the money about the "B-52's" comment as it applies to this song. The vocalist sounds almost exactly like Cindy Wilson.

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